Monday, February 26, 2007

Three Wishes: Palestinians and Israeli Children Speak

This is part of a report sent by Jehan Helou of the Tamar Institute, Ramallah:

Fouad Moughrabi in The Electronic Intifada Feb 07 writes:

I write this on the day that my family and I attended the bar mitzvah of my son's classmate and friend Aaron Steinberg. I was deeply touched when Aaron spoke so eloquently about the need for Israeli-Palestinian peace and proudly announced that he will donate half of the money he will receive as a gift to the Seeds of Peace Program which brings young Palestinian and Israeli youth together in order to promote coexistence.

Obviously, my son and his seventh grade classmates are beginning to think about these complex issues and some of them do so with some emotion, for one reason or another. The question is: do we have them read books that reinforce prevailing stereotypes and nasty media frames or do we try to show them another way. There is far too much stereotyping and dehumanizing that goes on in the public discourse about the Middle East in the media and popular culture. Our task is not to reinforce it but to challenge it.

I decided to read Broken Bridge by Lynne Reid Banks carefully and to write my own reactions to it. I concluded that, although it is well written, it is, nonetheless, not a good way to introduce the issues to a seventh grade class. I outlined the main reasons for this and then began to look for better alternatives. I found an excellent book by the Canadian author Deborah Ellis entitled Three Wishes: Palestinian and Israeli Children Speak and another by Elizabeth Laird entitled A Little Piece of Ground that chronicles the life of a Palestinian teenager during the most recent Palestinian Intifada and the Israeli assault on Palestinian towns. What follows is a review essay of all three books.

Broken Bridge relates the aftermath of the stabbing in Jerusalem of a Jewish teenager who was visiting from Canada, by two Palestinians. His cousin, who was walking with him, was inexplicably spared and had to contend with conflicting emotions, at one point refusing to identify one of the assailants in a police lineup. The author takes pain to describe the debate among Israelis about the occupation of Palestinian territories and about attitudes towards the Palestinians.The core of the book as well as its starting point is a rather shocking act of violence perpetrated against a teenager that most Western readers will immediately identify with.

While the Israeli Jewish characters are well developed to the point where we can even empathize with them, the Arab characters are nebulous, distant and threatening. The Arab first appears in Broken Bridge on p. 21 as a taxi driver. The Jewish teenager is warned: "'If it's an Arab driver, don't get in!'/ 'Why?'/ 'Dangerous.'/ 'More than thorn?'" Soon thereafter the Arab appears as a murderer. On p. 26, news comes on the radio that a child has been stabbed in the street in a place called Gilo.The feeling of a pervasive danger that the Arab represents, followed immediately by the stabbing of a Jewish teenager, sets the tone for the entire story. Furthermore, the event happens in Gilo, referred to in the story as "our district," a suburb of Jerusalem. Just how many American school teachers would know that Gilo is, in fact, a Jewish settlement, illegal according to international law, because it is built on confiscated Palestinian land in full view of the Arab village whose inhabitants still carry the deeds to their stolen land.

Mustapha, one of the main Arab characters in the story talks his nephew into becoming a "fighter." They both finally embark on an operation during which Feisal, the nephew, kills the Jewish teenager who was visiting from Canada. Mustapha, however, mysteriously ends up sparing the life of the boy's cousin, a girl who was walking with him. The other Arab characters include Ali who tries to save his job at a Jewish restaurant in Jerusalem by reporting to the Israelis about his neighbors in the nearby village and Mustapha's brother-in-law who becomes a collaborator and finally betrays him to the authorities.

The author engages in a bit of hyperbole describing the training that Mustapha had received in order to become a terrorist: "When Mustapha had been sent abroad for training, he was made, among other things, to bite the heads off live chickens to toughen him up. Not that he'd needed it -- not after what he's been through. Each time he had told himself that the chicken was the Jew who had interrogated him ... But Feisal was not so strong and tough as Mustapha thought he needed to be" (p. 128). I have never heard of any such bizarre rituals among Palestinians and I seriously doubt that such things ever occurred. However, attributing such monstrous behavior to Palestinians is quite common in Israel. Sadly, it reminds us of the bizarre rituals attributed to Jews by anti-Semites.

In a rather odd twist, the author informs us that Mustapha is said to be originally from a small village in Jordan, just across the border, and therefore not a native but an import or an intruder. We are told that his father had brought him to the West Bank after the June 1967 war, leaving his mother and sisters behind, in order to help fight the Jews. This gives credence to an Israeli-generated myth that the native Palestinians are not unhappy with their lot and prefer to live under Israeli control if it weren't for the troublemakers who sneak in from the neighboring Arab countries and who are determined to drive the Jews into the sea.

In contrast the Jewish characters in the story are playful, cultured and normal human beings, while the Arabs appear as non-descript, without a history and a normal existence. The author, who is impressed with Arabic food, very much like most Israelis who also like it to the point where they even appropriated it as their own (we now have Israeli hummus and falafel, for example), nonetheless feels compelled to criticize the excess that Arabs go through in preparing it. She does describe the anxiety that Feisal undergoes before he commits his violent act. Yet, to a large extent, there is nothing in any of the Arab characters that would make one empathize with them in any way. They remain dark and shadowy figures, always lurking in alleyways, waiting to pounce on some unsuspecting Jew.

The author tries to appear balanced in her narrative. But this balance is rather odd because it is not a balance between the Israeli and the Palestinian narratives. There is very little here about the Palestinian narrative. We are offered scattered tidbits here and there about how bad the occupation is. We are told that fanatical religious Jewish settlers terrorize Arab villagers (she fails to mention that they do so even as the Israeli army often simply looks on). She provides a passing reference to the 300-plus Palestinian villages razed to the ground by the Israelis in 1948 in order to make sure the Arab refugees will never be able to return.

The reader will therefore know very little about the Palestinians, who they are and why they sometimes behave the way they do.What appears as "balance" in the book emerges because the author captures rather well the debate within Israel itself between those who hold the Palestinian Arabs with racist contempt and those who argue that the Israeli occupation of Arab lands and the harsh treatment of Palestinians by their Israeli occupiers may account for Palestinian acts of violence against the Jews.It is precisely the appearance of balance that makes uninitiated American readers think this is a book that tries to promote peace. This works mainly because most American readers lack the necessary historical knowledge that would provide the needed context for the stories. And herein lies the key problem with choosing a book like this as an introduction to this conflict. Without some knowledge of the context, of the history and of the nuances of the place, one ends up simply adding insult to injury and reinforcing pre-existing stereotypes that dehumanize people.

In the end, the media frame of the Arab as "terrorist" is given a substantial boost and is reinforced in the minds of Americans children.In essence, the book frames the issues almost solely in terms of conflict and violence -- in this case, Palestinian violence against Jews therefore making the Arabs the perpetrators and the Jews the victims. It provides nothing about the richness of the Palestinian narrative and its complexity.

After reading the book, one understands why Israelis engage in acts of violence against Arabs and may even empathize with them but one does not understand the circumstances that drive some Palestinians to engage in violence. More importantly, one does not see any glimmer of hope that this cycle of violence will ever come to an end, as if it really were an immemorial kind of conflict.The story is fundamentally the chronicle of a moral debate. But, because only Israeli Jews are presented as human beings, the debate occurs basically among them. In principle, this is fine except that it is really an artificial kind of debate. What the author does not tell us is that those who hold Arabs with racist contempt are in fact the majority among Israeli Jews, as confirmed over and over again by Israeli public opinion surveys. By contrast, those who argue for a humane approach to dealing with the Palestinian Arabs are in reality a very tiny minority whose voice is marginalized in Israeli society.

In the end, the impression that there is a vigorous and healthy moral debate in Israel is simply either a fraud or just an example of wishful thinking among well-meaning writers and intellectuals that serves to present Israel as a normal, civilized, and democratic society where such debates are said to occur.

Deborah Ellis begins her scrupulously balanced book by expressing a genuine concern for the plight of civilians, especially children caught in situations of war. She states what UNICEF and others have already amply documented, namely, that "in World War I, 15 percent of all casualties were civilians. In World War II, 50 percent of all casualties were civilians. In 2004, 90 percent of casualties in war are civilians." Ellis is concerned with the casualties of the Israeli-Palestinian conflict. She points out that "between September 29, 2000, when the second Intifada, or Palestinian uprising against Israeli occupation, began, and March 7, 2003, 3,399 people were killed. Of these, 429 were children under the age of eighteen." She then lists their names.

Ellis provides a framework and a context that enables the reader to situate the interviews with the children. She briefly explains the history of the conflict and provides the arguments as seen by Israelis and by Palestinians. Both narratives are therefore provided. The reader will also understand what a Jewish settlement is, how some roads are for Jews only and how Palestinians are controlled by a system of roadblocks and checkpoints.One hears the voices of Palestinian and Israeli children and one is able to enter into a world that is bound by fear, anxiety and sometimes despair. Yet one also sees glimmers of hope and possibilities of a better life.

What we learn by reading these accounts is at times shocking to the point where I think every Arab and Israeli politician should be required to read the book, if only to finally realize what kind of world they are creating for their children.

We learn for instance that there is absolutely no contact between Palestinian and Israeli children. One fifteen-year-old Israeli youngster, a recent immigrant from Russia, says, "I know a little bit about the Palestinians from the news. It seems they all hate us, but I don't know why. I have not met any yet. It is impossible for us to meet. We are separate people" (p. 23). An eleven-year-old Palestinian says, "I don't know any Israeli children. I don't want to know any. They hate me and I hate them" (p. 50). Merav, a thirteen-year-old Israeli who lives in a settlement (which means a place built for Jews only on confiscated Arab land in the heart of the occupied West Bank) has this to say: "I don't know any Palestinian children. They are all around the outside of my settlement, but I don't know any of them. I have no reason to meet them. They are dangerous and will shoot me if they get the chance. The Israeli army keeps them away from us" (p. 67-68).Usually, the only Israelis that Palestinian children see are the soldiers. Here is a twelve-year-old Palestinian child speaking: "There are a lot of soldiers where I live. They watch us all the time. We can't do anything without being watched by them. They carry guns, and they give me nightmares. We would like them to go away, but they don't care about what we want" (p. 25).

It is interesting to note how heavily socialized Israeli children are: nearly all mention school field trips to the Yad Vashem holocaust museum, boy scout activities, one child mentions a visit to Poland "to see for ourselves what happened to the Jews during the war," (p. 29) and army service. It is also quite interesting to see how propaganda themes and anti-Arab images filter down to children.

Here is an example from an eighteen-year-old in a Jewish settlement north of Jerusalem: "We, the Israelis have been trying, but how much can we give? After all, this is our land. I wish all the Jews in the world would come to Israel, and that all the Palestinians would leave and go live in some other Arab country" (p. 76).

By contrast, Palestinian children do not seem to undergo such a thick process of socialization. They appear to be influenced more by the texts of everyday life, what they see around them. Here is an eighteen-year-old who lives in a refugee camp near Ramallah: "A lot of people die in this camp. The Israelis shoot missiles at us. Not long ago, a missile hit a car and killed a woman and her three children. Two other women were killed by a land mine. Lots of people die here" (p. 79). The boy has been in a wheelchair for the past few years, not because of any injury, but because "he was frightened by the soldiers a few years ago, he became unable to move his legs and one of his arms. He hasn't walked since" (p. 79).

To her credit, Deborah Ellis points out that many Palestinian children have suffered what we call post traumatic stress syndrome, a widespread phenomenon that has received little acknowledgment or attention. Those who live in refugee camps have suffered the most because that is where the Israeli army focuses its most intense assaults. The symptoms include listlessness, inability to concentrate, bedwetting, aggressive behavior, insomnia and nightmares.

Israeli children who have come into contact with Palestinian children tend to see things somewhat differently. Here is a fifteen-year-old who lives in Jerusalem: "I used to take an art class with Palestinian children. I was eleven years old. It was no big deal. They were just kids doing art, same as me. We didn't fight because they were Palestinian and I am an Israeli. We were just kids doing art" (p. 96). This young man notes, "I don't think we'll ever get out of this situation unless we give the Palestinians their own state. It's the only way to make peace. Everyone will have to give up a little of what they want in order to get some of what they want. We're both here. Neither of us is going to go away" (p. 98).Some of their wishes are touching indeed. Nearly all wish for the fighting to end. A fourteen-year-old Palestinian girl says, "I wish the fighting would end, so that we can just make music and have fun and not hate each other. Maybe we could even make music with the Israelis one day" (p. 62). One sixteen-year-old Israeli says: "My three wishes? I have just one. I want the war to end, so I can keep living in Israel and raise my children here" (p. 33).

Elizabeth Laird's book, A Little Piece of Ground, written with the help of Palestinian writer Sonia Nimr, deals with issues that I am familiar with, having lived in Ramallah during the period (2000-2003) that she chronicles. The book was initially published in 2003 by Macmillan Children's books in England and reproduced in 2006 by Haymarket Books in the U.S. For a while, one could not purchase the book through Amazon.com USA because of a nasty campaign launched by pro-Israeli groups. I notice, however, that one can now buy a copy through Amazon.com USA. Recently, the book has been selected as a United States Board on Books for Young People-Children's Book Council (USBBY-CBC) Outstanding International Book for 2007, an honor well deserved by the author as well as Haymarket Books.

The book tells the story of the Aboudi family who live in Ramallah, their twelve year old son Karim and two of his friends, one of whom, Hopper, comes from a refugee camp near Ramallah and the other, Jodi, from a relatively well to do family. Karim daydreams about becoming a soccer star but has to contend with Israeli imposed curfews and checkpoints that restrict his freedom of movement.

He sounds almost exactly like one of the teenagers in Deborah Ellis's book who speaks about the threatening Israeli soldiers whose rules of engagement consider a twelve-year-old kid throwing rocks at them a legitimate target for killing. His father is humiliated in front of him by Israeli soldiers at a checkpoint while the family is traveling by car to spend a couple of days in their own ancestral village near Ramallah. The family and the relatives are abused and threatened by nearby Jewish settlers who live on confiscated Arab land as they try to harvest their olives, much as their ancestors have done for many generations.

For these Jewish settlers, many of whom originate from the U.S., the land belongs to the Jewish people and the Palestinians who are said to contaminate it must therefore go.Karim and his friend Hopper decide to reclaim a bulldozed lot and turn it into a football field. They also establish a secret den as an after school hideout. This effort to reclaim a little piece of ground eventually brings them face to face with Israeli tanks and a near fatal adventure that takes the reader directly to the heart of the Israeli-Palestinian confrontation. Karim is shot in the leg as he runs away from the Israeli soldiers but he survives.

At the end of the story, the author narrates, "He'd go back soon, when his leg was better, and he'd start again, he and Hopper, and they'd bring in the other boys, and make the place theirs again, and play soccer, and play, and play" (p. 216).Elizabeth Laird captures the nuances of the place so well that one forgets that the author is actually a foreigner writing about a Palestinian story. The interaction within the Aboudi family reveals a society where the family plays a crucial role in people's lives, offering unconditional and loving support to all members. This may well be one of the main sources of strength that has allowed Palestinian society to persist in the face of Israel's fiercest attacks against it. At one point, Hassan Aboudi, the father, who had suffered humiliation at the hands of the soldiers, sits silently at the family meal and then says, "Endurance. That's what takes courage. Decency among ourselves. That's where we must be strong. When they steal from us and try to humiliate us, the real shame is on themselves" (p. 65).

The book captures the effects of the Israeli invasion on schools and education. Several schools were vandalized by the Israeli soldiers and the Palestinian Ministry of Education was ransacked and its computers were smashed causing major loss in files and data sets. In the story, children are unable to concentrate; they were "edgy and restless"; they hear a big explosion outside their school and the frustrated teacher resorts to physical punishment to try to control them.

Laird also captures rather well the feelings of anxiety and loss as Karim's best friend Jodi tells him that he and his parents have decided to leave the country. In those years hundreds of middle income families and professionals decided to leave because of their worries about their children's welfare and safety. A closely knit society was being torn asunder as it had been twice before, in June 1967 and in April-May 1948.

A Little Piece of Ground is a metaphor for Palestinians who are simply asking the world to recognize their right to a tiny place where they can live freely and breathe some fresh air. It is also a story of their endurance and their refusal to bow down to superior and rapacious power. Haymarket Books dedicates the book to the memory of Rachel Corrie, the young American peace activist who was crushed to death by an Israeli bulldozer.

To her credit, Lynne Reid Banks offers a brief blurb on this book and says the following: "This story of how it feels to be under the heel of an occupier and how it affects day-to-day life is an oddly homely one. We get to care about this boy and his family and, yes, to loathe their oppressors -- and I say that as one who lived in Israel for years and has written the story of terrorism in that area for children from the Jewish side ... I know it is a good book and needs to be read by others like me."

These brave authors of children's books have had to deal with the thorny issues surrounding the Israeli-Palestinian conflict. Although some of these books elicited near-hysterical outrage from hard-core pro-Israeli groups, it is, nonetheless, interesting to note that hundreds of thousands of copies of these various books have sold and continue to sell throughout the world and a number of these authors have gone on to win some important literary prizes. This means that the traditional hold that pro-Israeli groups have had, always exaggerated in my opinion, that resulted in the reluctance of known publishing houses to venture into this area has finally begun to recede.

We now have a number of well-written books that offer a rich and highly textured portrait of children's lives in times of conflict. More importantly, we now have, for the first time, portraits of Palestinian children as normal human beings engaged in the daily struggle for survival, children with hopes and fears, hates and loves, just like the rest of the world's children.

This is quite remarkable because the Palestinian, as a human being, still does not exist. His or her identity continues to be submerged under various labels -- he is a terrorist, or a religious fanatic, a hater of Jews, a moderate or an extremist. Palestinian casualties are usually just numbers, while Israeli casualties are humans with a life story. We are told their age, where they come from, who their friends are, who their parents are, what their hopes were and so on. It is therefore significant that, for the first time, we can see Palestinian children as normal human beings.

The generalized political discourse on the Israeli-Palestinian conflict often obscures the tragic toll the conflict takes on innocent civilians. These books highlight this human dimension and they do it well. In the process, they reveal to us the incredibly huge and tragic cost of this ongoing conflict and the urgent need for its resolution.

Fouad Moughrabi is Professor and Head of the Department of Political Science at the University of Tennessee at Chattanooga. He is also Director of the Qattan Center for Educational Research and Development, Ramallah, Palestine.

Thursday, February 15, 2007

RED HOUSE CHILDREN'S BOOK AWARD

Children across the UK have been voting for their favourite books of the year in the Red House Children’s Book Award (RHCBA). This year more children than ever have been involved, casting a record 81,000+ votes for over 1000 different books. It is the goal of the Award to encourage as many children as possible to join in the voting and there are new initiatives with Brownie groups and the Black Country Schools Library Service. Also through the increased sponsorship of the Red House, 200 additional new schools are getting involved through School Link.

The winner of the 2007 Red House Children’s Book Award will be announced at a ceremony held at the Guardian Hay Festival on 1st June 2007. The award ceremony is a unique celebration of children’s books; not only are the short-listed authors and illustrators present, along with many previous winners of the award but also a selection of children from all over the country who have taken part in voting for the award winners. In the week leading up to the award ceremony the Guardian Hay Festival will also host five RHCBA author and illustrator events featuring a number of the short-listed authors and past winners, sponsored by Red House.

Now embarking in its 27th year, the award was founded in 1980 by author and librarian Pat Thomson and it is run by the Federation of Children’s Book Groups. The category winners each receive an engraved silver bowl. The overall winner is awarded the Red House Children’s Book Award Silver Tree which they are the custodian of for a year and an engraved silver acorn which is theirs to keep. Each of the short-listed authors and illustrators also receives an incredible portfolio of writing and drawing created by the children and inspired by their book.

The full shortlist for the 2007 Red House Children’s Book Award is as follows:

Books for Younger Children
Silly Billy by Anthony Browne published by Walker Books
The Incredible Book Eating Boy by Oliver Jeffers published by Harper Collins
The Lamb Who Came for Dinner by Steve Smallman and Joelle Dreidemy published by
Little Tiger Press
Who’s in the Loo? by Jeanne Willis and Adrian Reynolds published by Andersen Press

Books for Younger Readers
The Legend of Captain Crow’s Teeth by Eoin Colfer published by Puffin Books
Araminta Spook: My Haunted House by Angie Sage published by Bloomsbury
You’re a Bad Man Mr Gum by Andy Stanton published by Egmont

Books for Older Readers
Alone on a Wide Wide Sea by Michael Morpurgo published by Harper Collins
Girl, Missing by Sophie McKenzie published by Simon & Schuster
Soul Eater by Michelle Paver published by Orion Books

Children can vote for their favourite books on the 2007 shortlist via the RHCBA website: http://www.redhousechildrensbookaward.co.uk/

Wednesday, February 07, 2007

New Patron for Seven Stories

Seven Stories, the Centre for Children’s Books in Newcastle is supported by a number of distinguished patrons. These include Sir Jeremy Beecham, Quentin Blake CBE, Carol Hughes, Terry Jones, Philip Pullman CBE, Sir John Riddell Bt, CVO CA, and Jacqueline Wilson OBE. To add to the list Seven Stories are delighted to announce that local author David Almond has agreed to become a patron of the Centre.

Tim Caulton, Chair of Trustees at Seven Stories says: “David played an invaluable role as an active Board member during the development phase. Board members have been delighted to witness David’s phenomenal success as an author during this period, and we are now privileged that he has now agreed to join our illustrious list of successful children’s authors as a Patron of Seven Stories’.

Elizabeth Hammill, Collections Development Director at Seven Stories says: “As a writer David has put his native North East on the international literary map, revealing it as an ‘undiscovered country’, a place where the everyday that Northerners know is transformed by a ‘strange kind of poetry and magic’. He has been part of the fabric of Seven Stories for many years, joining us shortly after the publication of Heaven Eyes which is set in the Black Middens of a derelict Ouseburn Valley.

David Almond was born in Newcastle and grew up in Felling-on-Tyne. His first book for young people, Skellig, was published in 1998 and won the Whitbread Children's Award and the Carnegie Medal.
David says: “It's a fantastic honour to be asked to be a Patron of Seven Stories. This great organisation puts children's books right where they should be - at the heart of our culture. It celebrates the joys and passions of reading, writing and illustrating. It opens its doors to one and all. It offers wonderful resources to students of all ages. Like the best of books, it is itself serious, playful, creative, visionary and optimistic. And here it is, right by the Tyne in Newcastle.”

Friday, February 02, 2007

We're going on a Bear Hunt: Picturebook Adventures at Seven Stories

A gentle exhibition of ten Walker picture books has just opened at Seven Stories in Newcastle. Small children will delight in trying on the masks, clothes, peering through peep holes, squeezing into a large red shoe, curling up in a cat basket and joining in with the joyous performance by Michael Rosen of "We're going on a Bear Hunt" (on a looped recording - you may be there for hours!). There is some original artwork as well. Older children in the family can spend time in "Westall's Kingdom: A Writer's Life" on the next floor. And there is a well stocked bookshop, cafe and free on-street parking. For details of prices and opening times go to www.sevenstories.org.uk.

Sunday, January 28, 2007

Philip Pullman receives Freedom of Oxford

Philip Pullman, who has published over twenty books, received the rare honour in a ceremony at the Town Hall in Oxford on Wednesday 24 January 2007.

The Lord Mayor, Councillor Jim Campbell, said: “Oxford has an astonishingly rich tradition of children's story telling, and Philip Pullman is a worthy successor to Lewis Carroll and C S Lewis.


His Dark Materials is one of the finest imaginative works in English. While it creates and explores new worlds and new systems its roots are in Oxford and we are pleased to be able to confer the freedom of the city on someone who has given so much enjoyment to children, and adults, all over the world.”


Philip Pullman, who lives in Cumnor, said: “I am delighted and honoured to receive the Freedom of Oxford, the city which has been the inspiration for a great deal of my work.


“Oxford is a city that’s steeped in storytelling. It’s a place where the past and the present jostle each other on the pavement, and while of course that’s true of many cities in Britain, Oxford does seem to have a few extra dimensions in some strange way.


“I am immensely gratified that the city I’ve made my home has found my work worth rewarding, and very proud to receive an honour whose history goes back to the craftsmen and merchants of the Middle Ages, and which is held by a few very distinguished people of today.”

There is only a small number of people who have been given the award including Sir Roger Bannister, Nelson Mandela, author Colin Dexter and Burmese human rights campaigner Aung San Suu Kyi.

Waterstone's Children's Book Prize

Children’s Laureate Jacqueline Wilson has announced that debut author Tom Becker has won the Waterstone’s Children’s Book Prize for his novel ‘Darkside’ which is set in a dangerous and unimaginably exciting parallel ‘secret’ London where nightmares walk the streets.

The announcement, made at a central London Awards ceremony today, has realised a life ambition for Tom Becker at an early age. Since Tom learned to hold a pen he wanted to become a writer and now, aged 25, he has both published his first book and won his first prestigious award.

Tom Becker drew inspiration for ‘Darkside’ from fantasy novels, film noirs such as ‘The Asphalt Jungle’ and ‘The Big Sleep’, and also from a fascination with the seamier side of Victorian history. Tom has always held a fascination with fantasy novels spending many a childhood day curled up in an armchair reading Brian Jacques and he further developed his interest for supernatural adventures whilst studying history at Oxford where he found himself intrigued by the otherworldly atmosphere of the University library where he used to spend long days reading.

Author Tom Becker said “It's an incredible feeling to have won the Waterstones' Children's Book Prize, and I hope that this means that readers have enjoyed the strange and other-worldly pleasures of ‘Darkside’. Given the calibre of the other books on the shortlist, I didn't think I stood a chance of winning, and it's amazing to receive such a prestigious award at the very beginning of my writing career.”

About the Waterstone’s Children’s Book Prize

The Waterstone’s Children’s Book Prize is in its third year and was created to uncover hidden talent in children’s writing. Open to authors who have written three or less books, the award is the only one where publishers, booksellers and the public join forces to recommend their book to the panel of judges. Over 4,000 booksellers get involved, together with local schools and reading groups, to discuss and pick their favourite book within three categories: 5-8, 9-12 and Teenage.

The Waterstone’s Children’s Book Prize 2007 Short List

Jake Cake: The Werewolf Teacher’ by Michael Broad
5-8
Penguin

‘The Dragon Detective Agency: Case of the Missing Cats’ by Gareth Jones
5-8
Bloomsbury

‘Darkside’ by Tom Becker
9-12
Scholastic

‘Nathan Fox: Dangerous Times’ by L. Brittney
9-12
Macmillan

Sebastian Darke: Prince of Fools’ by Philip Caveney
9-12
Random House
.

‘The Black Book of Secrets’ by F.E. Higgins
9-12
Macmillan

‘The Thing With Finn’ by Tom Kelly
9-12
Macmillan

‘Smugglers’ by Christopher Russell
9-12
Penguin

‘A Swift Pure Cry’ by Siobhan Dowd
Teenage
Random House

‘Bunker 10’ by J.A. Henderson
Teenage
Oxford UP

MARSH AWARD FOR CHILDREN'S LITERATURE

Anthea Bell’s translation from German of Kai Meyer’s THE FLOWING QUEEN,
published by Egmont Press has won her the Marsh Award for Children’s Literature in Translation.


Presenting the Award on 23rd January 2007 at The Arts Club, London, Wendy Cooling, winner of the 2006 Eleanor Farjeon Award and a judge of the Marsh Award said:

"The Marsh Award is in its second decade and now, more than ever, there's a need to offer young people real choice in their reading - a range of books that offers them a view of the whole world. The richness and originality in this year's short-listed titles takes us some way forward in this aim."

Accepting the award and a cheque for £1000, Anthea Bell responded:

“When that archetypal story-teller the Ancient Mariner holds you with his glittering eye and you cannot choose but hear, the tale he is telling wasn't necessarily in your mother tongue to start with. That is where translations and translators come in. The good story, the real page-turner - like Kai Meyer's book - travels easily between languages, and encouraging such books to enter the English-speaking world is what the Marsh Award is all about.”

· Log on to www.booktrusted.co.uk to read interviews with Anthea, Bell, Kai Meyer and an article by Elizabeth Hammill on judging the Marsh Award – with comments on the winner and all the shortlisted titles.

The Book of Everything by Guus Kuijer translated from Dutch by John Nieuwenhuizen Young Picador

A Bridge to the Stars by Henning Mankell translated from Swedish by Laurie Thompson Andersen Press
Dragon Rider by Cornelia Funke translated from German by Anthea Bell The Chicken House
Just Like Tomorrow by Faiza Guène translated from French by Sarah Adams Random House
Mimus by Lilli Thal translated from German by John Brownjohn Allen & Unwin,

Tuesday, January 16, 2007

SEVEN STORIES New Year Honour

Seven Stories’ Chief Executive Mary Briggs has been rewarded for her contribution to children’s literature by being placed on the 2007 New Year’s honours list. Mary will receive an Order of the British Empire by Royal appointment later this year.
It was the vision of Mary Briggs and Elizabeth Hammill to establish a centre dedicated to the celebration of the books, manuscripts and artwork of British children’s authors and illustrators. Since opening in August 2005, Seven Stories has attracted more than 80,000 visitors from across the UK and beyond. Based in an imaginatively converted warehouse in Newcastle’s Ouseburn Valley Seven Stories has already won numerous awards for architecture and regeneration.
Mary Briggs Chief Executive says: "Opening the doors to Seven Stories and seeing the people pouring in was amazing. We lived with the idea for so long that to see it become a reality was fantastic. It has been interesting over the 18 months since opening to see how our ideas worked out in practice.
"It is a great honour for me to receive an OBE and came as a complete surprise. This is all down to Elizabeth’s brilliant idea and I don’t think either of us imagined we would come this far we only dreamed Seven Stories would be the success that it is."
Seven Stories is testimony to the fact that dreams can be achieved through voluntary activity and hard work. Eleven years ago a centre for children’s books was only a germ of an idea, and Mary and Elizabeth started the ball rolling by opening a joint bank account with just ten pounds each.
Tim Caulton, Chair of Trustees at Seven Stories says: "The Board are delighted that Mary’s achievements have been rewarded with an OBE, but Seven Stories has been a joint effort by Mary and Elizabeth from its original inception, and we truly hope that Elizabeth’s immense contribution will be similarly rewarded in due course."
American born Elizabeth Hammill, Collection Development Director adds: "Mary and I share a lifelong love of children’s books and a belief in their value in nourishing children’s intellectual, imaginative and creative growth. As an American making my career here in the education and book worlds, I was surprised at the British reluctance to blow their own trumpet and celebrate their achievements in this field.
"I am delighted for Mary to be honoured an OBE as it recognises all the hard work we put into Seven Stories."
The duo’s achievement has been highly regarded amongst peers in the children’s book world. It was recognised regionally in May 2006 when they were awarded Honorary Doctorates of Civil Law by Newcastle University for their outstanding achievement in establishing Seven Stories and their contribution to children’s literature.
Philip Pullman, "The project began with the realisation that priceless manuscripts and original artwork by some of the most important creators of British children’s literature were flooding out of the country and being bought by collectors and institutions all over the world. I am sure that I speak for many of my colleagues in the field of children’s books when I say that Seven Stories represents, for us, the assurance that our work is not going to disappear as soon as it goes out of print. If it were to disappear it would be a disaster; but no-one knew how important it was, or whether such a dream could be possible at all, until Mary Briggs and Elizabeth Hammill showed the way.
"As a trustee during the early stages of the project, it was my privilege to attend many meetings chaired by Mary Briggs, and to be inspired by her wise counsel and clear understanding of how to steer a fragile craft of vision through the rapids of difficulty and disappointment and not lose a single passenger on the way."

Sunday, January 14, 2007

QUENTIN BLAKE EXHIBITION IN USA

If you should be in New England before 11 March do take a trip to the Eric Carle Museum, Amherst, Ma. There are constantly changing exhibitions, talks, plays and a superb shop.
In The East Gallery Quentin Blake: The Theater of the Page November 7, 2006 - March 11, 2007
With hundreds of books to his name, Quentin Blake has become a “British Institution” and a global treasure, both for his own books and for his celebrated partnership with Roald Dahl, which began in 1978 with Blake’s illustrations for The Enormous Crocodile. Tracing the life and work of this master, The Carle’s exhibition explores many aspects of Blake’s style, process, and collaborations: from the high comedy of Mr. Magnolia and many of the Roald Dahl books, to the reflective, atmospheric mood that prevails in The Green Ship and Michael Rosen’s Sad Book. Reflecting Blake’s many artistic influences, works by Honoré Daumier, George Cruickshank, and Pablo Picasso are also included.This exhibition has been generously underwritten by the Triad Foundation.

Mandy and Richard Horne RIP

from The Scotsman 11.1.07
"Richard Horne, better known as Harry Horse, and his wife, Mandy, had a relationship that was, according to everyone who knew them, simply extraordinary.
Brought together by a love of music and art, they lived together in a succession of rural idylls, from East Lothian to Loch Awe, before returning to Mrs Horne's native Shetland.
There, they took a house on Burra Isle, overlooking the sea, after the multiple sclerosis that had stricken Mrs Horne began to take its toll, confining her to a wheelchair at the age of 39.
Yesterday, three days after Mr Horne's final work appeared in a national newspaper, the couple's bodies were discovered, lying together in their remote bungalow after an apparent suicide pact.
One theory was that Mr Horne helped his desperately ill wife to end her life before taking his own. It is understood their pets were also found dead.
The tiny island community of Papil, on Burra, was in shock after the discovery of the bodies by paramedics, who were called to the house by concerned relatives yesterday morning.
And last night, as a police investigation began into the double tragedy, friends and colleagues in the media united in paying tribute to Mr Horne, 46, who was hailed as a "unique and irreplaceable talent", and his devoted wife. "

Harry Horse was well known to many in the children's books world through his many delightful picture books.

Tuesday, January 09, 2007

COSTA CHILDREN'S BOOK PRIZE

The prize-winners for the individual sections have just been announced on R4's Front Row - the children's section has been won by Linda Newbery with Set in Stone published by David Fickling Books. The overall winner of all the categories will be announced in three weeks.

Monday, January 08, 2007

Children's Book Illustration Exhibition in Oxfordshire

Four artists from The Story Museum have an exhibition at West Ox Arts Gallery, Town Hall, Market Square, Bampton, Oxon OX18 2JH from 7-28 January. The gallery is open Tuesday - Saturday 10.30-12.30 and 2-4 with Sunday opening from 2-4. See work by Sarah Garson, Mini Grey, Sue Heap and Korky Paul.

MONSTER FUN WITH KORKY PAUL 13 January
Meet Korky in the Gallery from 10.30am to view the exhibition and then join him in the Village Hall at 11am for a monstrous drawing session. Open to all from 5 upwards. Tickets £2.50 ring 01993 850137 or email westoxarts@yahoo.co.uk

MEET ALL THE ARTISTS 12 noon Saturday 13 January after the workshop. I'm uncertain from the press release whether this is at the Village Hall or in the Gallery, ring and check first.

Kidnapped Free in Edinburgh

25,000 free copies of Robert Louis Stevenson's Kidnapped are to be distributed throughout Edinburgh in February in a campaign to get the city's residents reading the same book. Edinburgh's first citywide reading campaign is a unique project created by the world's first UNESCO City of Literature.

One Book - One Edinburgh aims to get as many Edinburgh citizens as possible reading this exciting adventure story ­ on their own initiative, or through libraries, schools and book groups. The campaign is supported by more than 30 partner organisations from across the city with a large public programme of events backing up the reading campaign in February.

Three new editions of Stevenson's great adventure story have been created - a paperback, a fantastic new graphic novel and a simplified version. Of the 25,000, there will be 10,000 copies of the original text with a preface by Louise Welsh in a beautiful new paperback edition from Canongate. In a major coup for Edinburgh UNESCO City of Literature there will also be 7,500 copies of a specially commissioned graphic novel by internationally renowned comic book artists, author Alan Grant and illustrator Cam Kennedy, who between them have created classics of the genre such as Judge Dredd, Batman: Legends of the Dark Knight and two series of Star Wars graphics. Finally there are 7,500 copies of a simplified retold edition created especially for a younger audience.

Free copies of the three editions of the book will be distributed across the city in February to every primary and secondary school, to every public library and to partner organisations. From 1st February, members of the public can drop into their local library to claim a free copy while stocks last.

Ali Bowden, Manager of the Edinburgh UNESCO City of Literature Trust, said "Kidnapped, the epic adventure of young David Balfour, is a fantastic story set in one of the most dramatic periods of Scotland's history and Stevenson is a great Edinburgh author. We are very excited to be bringing this wonderful book to an Edinburgh readership in these new formats. The different editions will appeal to different readers, and will enable us to reach the widest possible audience."

Gavin Wallace, Head of Literature at the Scottish Arts Council, said "We are absolutely delighted to be funding this exciting campaign through the National Lottery. It is the first of its kind in Scotland and is a totally collaborative project with one single aim ­ to get Edinburgh reading."

The public programme totals more than 30 events, including exhibitions, a literary walking tour following in Stevenson¹s footsteps and a series of readings in conjunction with the National Library of Scotland, the first of which will take place on 1st February when Ian Rankin joins others to discuss the gothic, the criminal and Stevenson. For a younger audience, Donald Smith, Director of the Scottish Storytelling Centre, has scripted an irreverent and cheeky take on the Kidnapped story ­ When Kilts Were Banned ­ storytelling theatre with the bare essentials: wit, humour, falling out, friendship and growing up ­ but no kilts. The 1971 classic film of the story, starring Michael Caine and Donald Pleasence, will be shown at the Filmhouse on 24th February. The full programme of events can be found on the City of Literature website (www.cityofliterature.com ) or on the leaflet which will be distributed throughout the city from January.

Thursday, December 28, 2006

PHILIPPA PEARCE

Phillipa Pearce died on Thursday December 21 2006. One of the very best writers of children's books she was born in 1920 and brought up in Great Shelford, a village just outside Cambridge, where she spent much of her life and which provided the setting for perhaps her greatest book Tom's Midnight Garden.

After leaving Cambridge University in 1942 she worked as a civil servant, then an educational and children's book editor and finally as a scriptwriter and producer for BBC Radio. I first met her when working in a very lowly capacity at Andre Deutsch and I have to say my chief memory is of her daughter Sally tipping out the wastepaper baskets so she could sit on them! I have fond memories of her over the years ranging from an excellent lunch at her cottage in Great Shelford (the wine was kept in the outside loo), to her incisive questions from the floor at a Federation of Children's Book Conference and to the last meeting earlier this year at lunch following the memorial service for Jan Mark. Her strong sense of humour and her slightly terrifying intelligence shone as brightly as ever.

Her first book, Minnow on the Say (1955) illustrated superbly by Edward Ardizzone was commended for the Carnegie Medal and her second novel Tom's Midnight Garden (1958) won the award. It is a powerful book, and deals so well with the contradictory longing to remain a child for ever but with the pull to explore the world beyond childhood. Her writing continued with A Dog So Small (1962) which opened and closed on Hampstead Heath, her favourite part of London - she lived for some time in Gospel Oak. The Battle of Bubble and Squeak (1978) won the Whitbread Award. The Way to Sattin Shore (1983) is set in Suffolk, another part of East Anglia well known to her. Several excellent collections of short stories were published and her final novel, illustrated sympathically by Patrick Benson, was published in 2004. The Little Gentleman tells of the friendship between a 300 year old mole (who can talk) and a lonely young girl. I have a card from Philippa in front of me as I type "I hadn't written a book for 20 years. Surely, I'd retired...until, I walked the dog round our meadow, avoiding molehills".

She will be much missed, but what a wealth of books she leaves us.

Enid Stephenson

Thursday, December 21, 2006

Medway Book Award 2006

Medway Book Award has been won this year by Stuart Hill for Cry of the Icemark. The award was presented at the Sir Joseph Williamson’s Mathematical School on 27th November when Stuart held a group of the young judges spellbound. The award is presented annually for the best debut novel for teenagers and has previously been won by Eleanor Updale and Robert Muchamore. Six Medway Secondary Schools (Math School, Rainham Girls, Thomas Aveling, Robert Napier, Chapter School and Chatham South) took part and Stuart was a very popular winner coming out top of a strong field including CILIP Carnegie medal nominee Gabrielle Zevin.

Wednesday, December 13, 2006

ANGUS BOOK AWARD 2007

THE COUNTDOWN BEGINS
Over 500 Angus pupils gathered in Montrose Academy on Friday 8 December for the launch of the Angus Book Award 2007.

This year the shortlist features three novels by authors new to the Angus Book Award and a return by two authors previously shortlisted, Alan Gibbons 2004 and Theresa Breslin 1996. Divided City by Theresa Breslin, is a tense and thought-provoking tale which explores loyalty, prejudice and the ugliness of sectarianism
Candy by Kevin Brooks, a walk on the wilder side of life through the dark world of drug addiction and prostitution, this sharp, sensitive and exciting read is a real gripper.
Hold On by Alan Gibbons, a perceptive and powerful exploration of family relationships and how society feels the need to ridicule or exclude individuality.
Damage by Sue Mayfield, a disturbingly realistic novel, which exposes the raw emotional wounds of those who are scarred by the events of one winter night.
The Foreshadowing by Marcus Sedgwick, takes the reader on a journey through the gift of foresight and its consequences in this dark and mesmerising novel of gothic spirit.

The 2007 winner will be announced at the award ceremony in Arbroath on 15 May 2007.

Tuesday, December 05, 2006

BERKSHIRE CHILDREN'S BOOK AWARD SHORTLIST

"A GOOD READ" – Berkshire’s first book award chosen by young people for young people
The Berkshire Book Award was launched in 2004 and has been tremendously successful in its first two years. Over 50 schools and 1200 young people have taken part in this new award for the best, recently published book written for young people.. The Award is the first of its kind in Berkshire and differs from similar Award schemes by involving young people in both nominating the titles and selecting the winner.

The Shortlist:
The Boy in the Striped Pyjamas John Boyne
The Dangerous Book for Boys Gonn & Hal Iggulden
Beast Ally Kennen
Alone on a wide, wide sea Michael Morpurgo
Candy Floss Jacqueline Wilson
Storm Thief Chris Wooding
These titles will be read and reviewed by young people all over the county between now and the end of March 2007. The Award Website www.berkshire-els.gov.uk/bba gives all the information about the Award and will enable young people to swap reviews online. Discussion groups and events will be taking place in schools across Berkshire over the next three months.
Voting takes place week commencing 12th March and the winner will be announced on 23rd March 2007.

Wednesday, November 29, 2006

SHORTLIST INAUGURAL COSTA BOOK AWARDS

We all knew this as the Whitbread Prize - but will now have to think in terms of coffee not beer. I wonder if the Costa Coffee will have copies of the books in all their outlets - what an excellent promotion that would be.

The report in The Guardian gives no details, other than the shortlist, of the children's books. However, ever presicient, you can read more about Julia Golding in our most recent issue (34); or order back copies (0121 622 7458) and read about David Almond (issue 29), Linda Newbery (issue 21) and Meg Rosoff (issue 31).

Children's Books Shortlist:

David Almond, Clay, Hodder Children's Books
Julia Golding, The Diamond of Drury Lane, Egmont
Linda Newbery, Set in Stone, David Fickling Books
Meg Rosoff, Just in Case, Puffin

Monday, November 27, 2006

SCOTTISH BOOKS OF THE YEAR

Early years (0 - 7 years)
Winner: Little Lost Cowboy by Simon Puttock and Caroline Jayne Church
About the authors:
Simon Puttock was born in New Zealand and grew up in Trinidad, Kent and Wiltshire. He has worked in a bakery, as a DJ and for over 10 years as a children’s bookseller. He always wanted to be a writer and in 2004 he moved to Edinburgh to write full-time. He is the author of numerous picture books and is currently working on a story for 8-12 year olds.
Caroline Jayne Church is the creator of many books for young children, published throughout the UK and abroad. Describing herself as a ‘serious daydreamer’ at school, illustrating children’s books is the only thing she has ever wanted to do.
Reader’s verdict: "When we read Little Lost Cowboy to Primary 3 they loved it. They could not stop laughing. I thought they were going to explode. I think everyone who has young children should buy this brilliant book and read it to their younger ones because I’m sure it will be the best book they will have ever read or heard." (Charlie Duffy, aged 11, St Brigid’s Primary School, Glasgow)
Shortlist panel’s comments: "A fantastically heartwarming tale about a little lost coyote pup! Humorous and well-written with a host of other animals playing their support roles perfectly this picture book reads aloud brilliantly, especially with a cowboy accent!"


Younger readers (8 – 12 years)
Winner: Harry Potter and the Half-Blood Prince by J K Rowling
About the author: J K Rowling started writing the Harry Potter series during a Manchester to London King’s Cross train journey, and during the next five years, outlined the plots for each book and began writing the first novel. Harry Potter and the Philosopher’s Stone was published in 1997 and became an all-time bestseller. Harry Potter and the Half-Blood Prince is the sixth book in the series.
Reader’s verdict: "J K Rowling is an exceptionally good author, but this is one of her best yet! ...I will definitely vote for it as it has me really gripped and passed the test with flying colours. Well done, J K Rowling! A real toe-curler!" (Margaret Ann MacLeod, aged 10, Western Isles Library, Isle of Lewis).
Shortlist panel’s comments: "A fantastically well-written and gripping read – the 6th Harry Potter book definitely lives up to expectations!"


Older readers (13 – 16 years)
Winner: Roxy’s Baby by Catherine MacPhail
About the author: Catherine MacPhail was born and brought up in Greenock in Scotland where she still lives. She started off writing short stories for magazines and radio, as well as two romantic novels. She never even considered writing for children until something happened to her daughter, Katie, which sparked off her first novel for teenagers, Run Zan Run. Roxy’s Baby is Cathy’s twentieth book.
Reader’s verdict: "When I began this book I didn’t put it down until the final word … I was exceptionally engrossed and captivated … I could feel my heart racing as I progressed nearer the end of the novel … Roxy’s Baby, a thriller I’m strongly passionate about." (Leah Aylwin, Bearsden Academy, East Dunbartonshire).
Shortlist panel’s comments: "A page-turning read which delves into a dark subject matter, dealt with with sensitivity and flair."

VOTE FOR THE NEW CHILDREN'S LAUREATE

Who do you want to be the next Children's Laureate?

Children and adults are welcome to make nominations for the next Children's Laureate, who will be appointed in June 2007 for a two year term.

Who can I choose?

A writer, poet or an illustrator ... • who is still alive! • who has written or illustrated many books and has been published for at least eight years. • who lives and works in the UK.

Nominations are open until 31 December 2006.

For more information, read our terms and conditions and privacy policy You can only make one nomination. If you make more than one your nomination will be discounted.A summary of the nominations received will be sent to the judging panel, including the numbers of nominations for each individual. The children who write the three nominations we like the best will be invited to the award ceremony in June 2007 and 10 others whose comments we enjoy will be sent book prizes

THE NOMINATION PROCESS:
The selection process for the new Children’s Laureate has begun. Votes are coming in from Children - by votes on line – Click on http://www.booktrusted.co.uk/childrenslaureateOrganisations - representing librarians, critics, writers and booksellers, including the International Board on Books for Young People (IBBY). The voting process closes on 31 December 2006

The next step:
In March 2007, nominations will be considered by the recently appointed selection panel for the appointment of the Children’s Laureate. The new panel of experts is chaired by Shami Chakrabarti, director of Liberty and represents different fields in the wide world of children’s literature:
∑ Marilyn Brocklehurst – independent bookseller, Norfolk Children’s Book Centre
∑ Lindsey Fraser – literary agent, critic and member of the Children’s Laureate Steering Committee
∑ John O’Farrell – author and journalist
∑ Phyllis Ramage – children’s librarian, London Borough of Harrow
∑ Dr David Rudd – University of Bolton, academic specialising in children’s literature
∑ Representative from the sponsors, Waterstone’s

The fifth Children’s Laureate, will replace Jacqueline Wilson when she completes her two-year term of office in June 2007. Previous Children’s Laureates - Quentin Blake, Anne Fine and Michael Morpurgo.

‘The appointment of the Children’s Laureate acknowledges the importance of the exceptional children’s authors in creating readers of tomorrow. The selection panel represents and reflects the diverse world of children’s literature.’ Nikki Marsh, Head of Education at Booktrust

‘Waterstone’s is absolutely delighted to be sponsoring the Laureate in 2007 and looks forward to building on the excellent contribution Jacqueline Wilson and former laureates have made.’ Wayne Winstone, Category Manager for Children’s Books at Waterstone’s

The current Children’s Laureate:
During her first year in office it is estimated that Jacqueline Wilson had
· spoken to over 16,000 children at all kinds of events all over the country
· filled 35 days touring in England, Wales and Scotland, going to smaller venues at more remote spots as well as visiting big cities
· spent 54 hours at literary events, conferences and festivals – talking to children and adults and signing books for them· launched the Read Aloud campaign…
. Great Books to Read Aloud, published by Random House (May 2006)· given numerous interviews including Desert Island Discs (16th October 2005)
. A profile of the Children’s Laureate was a South Bank Show Special (5th March 2006)
· discussed what it means to be a Laureate with Andrew Motion, the Poet Laureate (on 28th September 2005)
· presented the Ottakar’s Children’s Book Prize (26th January 2006)
· supported charities – RNIB, Childline, Brake, The Fostering Network, Great Ormond Street Hospital, The NSPCC and Book Aid International

For full details see www.childrenslaureate.org

For further information visit the Booktrust website: www.booktrusted.com

The award is funded by the Department for Culture, Media and Sport. Waterstones are sole sponsors of the 2005-7 award, which is also supported by the following publishers: Random House, Egmont, Walker Books, Oxford University Press, Scholastic and Puffin.

The award is administered by Booktrust, an independent national charity that encourages people of all ages and cultures to discover and enjoy reading. The reader is at the heart of everything they do.